TBJ138: Julie Landsman
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TBJ138: Julie Landsman on being the first woman in the brass section of The Met, the teaching of Carmine Caruso and JFL. Legendary is a term that gets thrown around a lot. Sometimes, it is deserved. This is one of those times.
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In this fun and lively discussion, we cover:
Julie being on our initial “wish list” of guests
Working with both Sam and Mark Gould in a quintet
Trio with Dave Taylor and Gould
Played Principal horn for the Met for 25 years
Andrew Balio (née Anil) and the sheep
Getting into The Met in 1985
Working with a bunch of dudes
First woman in the brass section at The Met
Only a few of them welcomed her, most did not
Her only defense was to outplay them
Leading by example
Challenges growing up that helped shape her abilities, drive, and approach
Working to be heard and developing her own voice
Disaster at the banjo
Joe Greco was her band director and led her to the horn
Carmine Caruso was brought in to help out her band program which continued to cement her approach and drive
Howard Howard from The Met as another major influence
Hearing Denis Brain recordings
Caruso method, no-nonsense approach
Paralysis through analysis
The precision timing of movement
A platform for your musicality
The importance of repetition
JFL
Warburton Mouthpiece, JFL model is on the way
Missing playing with The Met (she left in 2010)
Taking a leave of absence when she turned 50
The Rule of 80
The experience of watching students succeed and perform with them
Pilkington playing injured
Starting to teach at the University of Houston and Rice when she played with the Houston Symphony
Giving and getting with and from teaching
Asking for help and giving help when it is needed
Deciding at 13 to become Principal at The Met
Moving to California to teach at USC
Teaching on both coasts for two years before moving to Southern California permanently
Take a chance, follow a dream
Meeting Jens for the first time
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Expertly produced by Will Houchin with love, care, and enthusiasm.
Julie's bio:
Principal horn with the Metropolitan Opera Orchestra for 25 years, Julie Landsman is a distinguished performing artist and educator. She received a bachelor of music degree from The Juilliard School in 1975 under the tutelage of James Chambers and Ranier De Intinis, and has served as a member of the Juilliard faculty since 1989.
A native of Brooklyn, New York, Landsman achieved her dream of becoming principal of the MET in 1985 and held that position until 2010. She has also shared her talent to many other ensembles within the city as a current member of the Orpheus Chamber Orchestra and having performed and recorded with the New York Philharmonic. Additionally, she has performed with numerous groups outside the city, including her co-principal position with the Houston Symphony, substitute principal position with the St. Paul Chamber Orchestra, and recent performances with The Philadelphia Orchestra as Associate principal horn, and the Los Angeles Chamber Orchestra, principal horn.
She has recorded for RCA, Deutsche Gramophone, CRI, Nonesuch and Vanguard labels, and is most famous for her performance of Wagner’s “Ring” cycle as solo horn with the MET Opera under the direction of James Levine. Landsman has performed as chamber musician at many festivals and concert series, including the Marlboro Music Festival, Chamber Music Northwest, the Santa Fe Chamber Music Festival, Sarasota Music Festival, La Jolla Summerfest, the Chamber Music Society of Lincoln Center, Orcas Island Chamber Music Festival, and the Metropolitan Museum of Art, where she appeared as a guest artist with the Guarneri Quartet. In the summers she performs and teaches at the Music Academy of the West , the Sarasota Music Festival, and the Aspen Music Festival.
World renowned as a master teacher, Julie Landsman holds faculty positions at The Juilliard School and Bard College Conservatory, and teaches frequently as a guest at the Curtis Institute. She has presented master classes at such distinguished institutions as The Colburn School, Curtis Institute, Eastman School of Music, Mannes College of Music, Manhattan School of Music, USC Thornton School of Music, Cal State Long Beach, Rowan University, University of Oklahoma, and University of Southern Mississippi, to name a few. She is also a visiting master teacher at the New World Symphony in Miami. Her international presence includes master classes in Norway, Sweden, and Israel. In 2016 Landsman was an honored jury member at the ARD horn competition in Munich, Germany.
Her students hold positions in the Metropolitan Opera Orchestra, Philadelphia Orchestra, Los Angeles Philharmonic, San Francisco Opera and Ballet Orchestras, Washington National Opera Orchestra, Dallas Symphony, St. Louis Symphony, New Jersey Symphony, Colorado Symphony, and the American Brass Quintet. She recently received the “Pioneer Award” from the International Women’s Brass Conference and was a featured artist at the International Horn Society Conference in 2012 and 2015.
Her recent series of Carmine Caruso lessons on YouTube have led to further fame and renown among today’s generation of horn players. Landsman currently resides in Nyack, New York.
